But I've also been busy working - just finished playing with the Sennelier Oil Pastels again (hence the title, painting with lipstick), this time on canvas. I did a portrait of my son Caleb, who's 26.
Caleb, oil pastel on canvas, 8x10 inches, 2010
While I enjoyed working on canvas with the oil pastels, I didn't think about the ramifications until after I had framed the piece.
Oil pastels never dry out! They stay sticky!
The canvas is framed in a beautiful frame - but it is open to the air. And because the pastels are applied fairly thickly, there is a relief to the image.
Now this might not seem too bad , except for the following:
- I have a dog
- I have a dog that sheds copiously
- I like to open the door/windows to let fresh air in
- I have a fireplace I use on a regular basis
Since oil pastels don't dry out, they can't be dusted, because the dust will adhere to the sticky surface, which stays movable - so if I try to 'rub' the dust off, I end up mushing the pastels, and messing up the portrait.
OY! Guess I'll have to figure out how to put it under glass.
In the meantime, I will start using paper as a base, and coat it with gesso to seal the surface so the oil doesn't affect the paper. I'll also do larger paintings - Sennelier pastels are about the size of lipsticks, and so soft you can't really get a point on them - so they're suited to larger images. Think I'll try a landscape next :-)
I've started work - finally - on the charcoal portrait of Yves that I talked about some 3 or 4 blogs ago. Should have it finished within the next couple of weeks, and will post it to the Transom then.
In the meantime, happy St. Patrick's Day!
Hi Terry, you might be interested in reading this info from the Oil Pastel Society on framing without glass: http://www.oilpastelsociety.com/OP%20Primer-Framing%20without%20Glass-Marilynn%20Brandenburger.pdf
ReplyDeleteI also use oil pastel on paper which I mount on panels, spray with fixative and varnish. It works.